The Catalog Comeback

As a kid, back in the 1970s and early 1980s, I would spend almost as many lazy hours engrossed in catalogs – the Christmas toy and wish books especially – as comic books and Mad Magazine. I can even trace my interest in graphic design and marketing communication to a time when I would combine my affinity for catalogs, comic book fantasy and satire to create parody catalogs with ridiculous themes like discount gadgets for aspiring superheroes and evil underworld masterminds. Although I never achieved my goal of hijacking the grade school mimeograph machine to actually produce my early work; my career eventually led to a critical role in the catalogs of a major giftware and collectables wholesaler. To this day, I still enjoy picking up and flipping through a catalog. That’s why I’m excited to see that they seem to be making a comeback of sorts.

According to The Wall Street Journal and the Direct Marketing Association, the peak of catalog distribution didn’t actually occur until 2007 when retailers mailed 19.6 billion in the U.S. By the time 2007 had rolled around, Sears, the granddaddy of all catalog retailers, was long out of the large-scale catalog scene. Other retailers had obviously picked up the slack and then some. Unfortunately, the years following 2007 showed a constant, and often steep, trend of decline. In the very midst of that slump, J.C. Penney, the last remaining big gun of the catalog world, had phased out their so-called Big Book and all of their specialty catalogs.Finally, in 2013 catalog distribution was up, for the first time in six years, to 11.9 billion. Far shy of the 2007 peak but up nonetheless.

Earlier this year Penney’s made several big announcements. One, of course, was that they were planning to close underperforming stores. Another was that they were bringing back the catalog. The two announcements were an interesting juxtaposition since the start of many of the company’s financial woes coincided with the time it decided to dump the printed catalog and make mail order a strictly online operation. Far from the thousand page, soup-to-nuts behemoth of old, the company’s first catalog in five years was to be mailed in March. In the month since it was supposed to be distributed, I have not seen a new J.C. Penney catalog in the wild, although I understand that it was planned to be 120 pages focused on home goods. More akin to their old specialty catalogs than their Big Book.

Penney’s, it seems, is on-board with the realization of many other retailers; printed direct mail catalogs are effective in leading lifestyle-driven consumers to make in-store and online purchases. The key is to also realize that catalog marketing is highly adaptable and, given today’s design, printing and mailing technology, even nimble. When it comes to presenting a massive amount of products and related information as a point of reference, as was the main role of the huge old full-line print catalogs, the web is a worthy successor. In instances where many variations or options exist for products, the web can even be superior. However, when it comes to appealing to the senses, presenting shoppers with ideas, forming opinions and helping them make a buying decision on an emotional level, print can’t be beat.

There is nothing like moving through the thick, glossy full-color pages of a targeted, specialty catalog and turning to a beauty, or hero, page to see the products staged in a way that makes the reader want to replicate that scene in their own life. They see what could be the answer to their needs or desires, they get to understand about each of the products and they may even gain some insight from a designer or an expert in an article, separate from the product detail copy, that relates to the scene that has been set. With a quick look around to superimpose the beauty shot over their own surroundings, the reader is off to the website, catalog and credit card in hand, typing item numbers and filling a cart. In this way, print catalogs are not simply listings of what a retailer has for sale, they are a connection to the audience’s lifestyle.

Sure, you can put beauty shots and inspirational copy on a website. But the audience has to know it is there. Yes, you can let them know the website is there through email, but email is easy to ignore. You can have a web catalog site highly optimized for search, but the audience still has to be searching for what the site is selling to find it. When a person pulls a catalog out of the mailbox and they hold it in their hands, they have connected with it that’s harder to ignore.

In addition, marketers have much more control over graphic communication in print than they have online. No one knows the size, quality or settings of every screen in a given audience. Responsive web design can account for many of the challenges with screen size, but nothing can prevent low-quality hardware or out-of-whack settings from destroying the impact of otherwise stunning photography and design. If you are in full control of correctly managing your specifications, color standards, proofing and production, you can ensure that what the audience sees is what you want it to see in print.

Today’s printed catalogs may not look anything like the ones that inspired me as a kid. They are, however, still doing what those old catalogs were designed to do – sell to contemporary audiences – and do it well. For that reason I still find inspiration, and sense of satisfaction, when I pick up a printed catalog. Let’s keep ‘em coming!

The Catalog Comeback

The Marketing Supply Chain Field Guide: Part 9 – Materials in the Chain

Over the past eight installments of our Marketing Supply Chain Field Guide we’ve discussed mechanics, functional areas and roles. Now it’s time to open a new chapter and take a look at the goods the marketing supply chain delivers – marketing materials.

Admittedly, a deep-dive into marketing materials may not sound like edge-of-your-seat kind of stuff, but that is exactly the point. It’s so easy to lump so many forms and mediums of communication that are so crucial to your marketing efforts together under such a simple – and frankly – bland term. But when you stop to think about the breadth and depth of everything that could be considered marketing materials those notions go right out the window. Marketing materials are anything but simple. Their variety and complexity is the antithesis of bland.

The oversimplification of such a complex operational category is likely one of the key factors in the marketing supply chain goes unrecognized. It’s also an important reason to consider purpose-built tools for managing projects within the marketing supply chain. Let’s take a look at some of the more traditional or common marketing materials that may be flowing through yours.

In the Universe of Marketing Materials – Here’s the Black Hole

It’s known by about as many names as there are varieties of it. Collateral, pamphlets, documents, handouts, fliers, folders, booklets, rack cards, one-sheeters, sales kits, brochures…you get the point. What we’re talking about here is one of the foundations of marketing and promotional communication and something that’s still effective even in the digital age; good old printed, branded and distributed information. Marketing collateral (let’s call it that for now) is pretty much the catch-all classification in the marcom world. Here’s the catch about this catch-all though; while it’s so familiar and seemingly basic, it’s really anything but. Everything about it is variable. Size, format, content, purpose, complexity (or simplicity), design, method of distribution – you name it – all varies from item to item. What doesn’t tend to vary is the need for consistent branding across all variants and the fact that collateral changes frequently to stay up-to-date.

Some organizations rely on hundreds, if not thousands, of forms of marketing collateral. Sometimes collateral is produced by multiple teams from different locations where each may be responsible for its own sourcing. Keeping information, branding and targeting current in the face of such an environment can be tricky at best. The simple act of having reprinting last year’s brochures suddenly isn’t so simple. In a well-managed marketing supply chain, marketing collateral can be a model for efficiency instead of a black hole where “everything else” ends up.

Snow, Rain, Heat and Gloom of Night Are One Thing – Project Complexities Are Another

Even today, direct mail is still considered one of the most effective ways to reach a client and customer bases. The ability to put a highly targeted piece of communication right in the hands of its intended audience is powerful. And say what you will about the state of the post office, it still does a remarkably reliable job of getting the message where it needs to go. Even though neither snow nor rain nor heat nor gloom of night, as the old saying goes, are supposed to hinder the delivery of your next direct mail campaign; its own complexities could hinder its production. The term direct mail, like marketing materials, is another convenient phrase that oversimplifies a not-so-simple concept. Direct mail campaigns run the gamut in terms of design, format, content, purpose and complexity. About the only thing that remains constant across direct mail campaigns is the fact that they rely upon the post office for distribution. Even that is a point of complication.

Take for example a postcard campaign. It’s a single piece that’s self contained. No envelope is needed; postage indicia, and even addresses, can be printed directly on it. But like any marketing material there’s always a catch. There are stipulations on everything from physical size to stock thickness, finish and even layout and content. Significant attention must be paid to providing the appropriate space, on a printable and clearly visible surface, for bar codes to be applied for proper routing. Copy that is too close to the designated address area could cause machines to misread the address. Even when designs account for all postal regulations, simple production errors or variances, that are negligible in other instances, could render a postcard campaign undeliverable or much more costly to mail. Precision specifications and strict adherence to them in production are absolutely crucial to direct mail even in its most simple form.

In more complicated forms of direct mail, not only do size, thickness and weight come into play, but often multiple pieces as well. In some of the most effective and powerful direct mail campaigns there may be many creative assets with production spread across different vendors. Traditional (think ink on paper) and non-traditional (think plastic cards or product samples) media are frequently combined. Personalization is often involved in more than just the address. Mix in kitting, list and mailing services and direct mail project management might be as complex as it gets. In an organized marketing supply chain these complexities can be harnessed and the full power of direct mail channeled when you use tools that were built for the job.

Keeping the Publication Gears Turning

The fact that some catalogs, newsletters and other marketing and public relations publications are going strong while others have given up paper for pixels clearly illustrates that people take one of two sides on them. Those who continue physical publication of catalogs and outreach obviously see value and power in them with their specific audiences. The ongoing impact of printed publications seems to remain very strong where specialties, special interests and niches are concerned. Such audiences tend to be more deeply connected and involved and hard-copy publications speak well to that involvement.

Anyone who is involved in projects involving publications of any kind is sure to tell you that while techniques and strategies may be similar, each and every publication is unique. Because of the number of moving parts within them, there is a lot of opportunity for things to go awry in the creation, production and distribution of a publication. Nothing is inconsequential managing a publication project. Even a simple approval getting held up in the works could bring a publication that is critical to an organization’s marketing communications goals to a grinding halt. Big money could be lost and that deeply involved and connected audience could be left hanging. It is hard to squeeze something as individual as a publication into a one-size-fits-all approach. It’s near impossible to manage a publication project without the ability to adapt your tools to the specific resources, needs and purposes of your publication.

Join us next week when we continue to break down the many different kinds of marketing material projects the marketing supply chain is responsible for creating, producing and distributing.

The Marketing Supply Chain Field Guide: Part 9 – Materials in the Chain